verk + art

Jonas Bouleau
In our showroom
1 September – 26 November 2021

  • Picturing Vision III, 2018

    Jonas Bouleau

    Oil on canvas

    Height 160 cm
    Width 110 cm

    Price 37 900 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Kniv, 2021

    Jonas Bouleau

    Oil on canvas

    Height 130 cm
    Width 90 cm

    Price 25 900 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Cypern, 2021

    Jonas Bouleau

    Oil and paper on canvas

    Height 60 cm
    Width 73 cm

    Price 12 900 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Zeitgeist, 2021

    Jonas Bouleau

    Oil and paper on canvas

    Height 67,5 cm
    Width 48 cm

    Price 9 700 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Ett spöke går runt Europa

    Jonas Bouleau

    Oil and paper on canvas

    Height 90 cm
    Width 70 cm

    Price 18 500 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Tändstickshuvud

    Jonas Bouleau

    Oil and paper on canvas

    Height 90 cm
    Width 70 cm

    Price 18 500 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Som bär ljuset, 2020

    Jonas Bouleau

    Oil on canvas

    Height 70 cm
    Width 50 cm

    Price 12 900 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Offset abstrakt, 2021

    Jonas Bouleau

    Oil on canvas

    Height 40 cm
    Width 35 cm

    Price 7 600 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Behind the scenes, 2020

    Jonas Bouleau

    Oil on canvas

    Height 70 cm
    Width 50 cm

    Price 12 900 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Take that look from your face, 2019

    Jonas Bouleau

    Oil on canvas

    Height 110 cm
    Width 80 cm

    Price 19 500 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Turned eye, 2019

    Jonas Bouleau

    Oil on canvas

    Height 40 cm
    Width 35 cm

    Price 7 600 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

Jonas Bouleau

In our third exhibition at VERK´s showroom, we are introducing painter Jonas Bouleau who is going into depth with how we see and experience the world around us. Deeply rooted in the tradition of painting and its ability to relate to images, he literally opens our eyes to understand how perception and manipulation are inseparably connected.

Jonas Bouleau´s paintings make our eyes the starting point to examine the human vision, both as an image and conceptually. Our eyes as a part of the human body – and thus easy for us to relate to – are the sense that picks up and transmits information that we receive from our environment. To investigate how we see and what we see, what would be more adequate than the eye itself as a motif?
In his latest works, an additional theme returns frequently, however tightly connected with our vision, namely light. In the shape of candles, flames or the sun, Jonas Bouleau approaches light as the source of our possibility to experience the world, and to exist in it in the first place.

The artist´s process moves step by step from light to painting. Departing from his own photographs he enlarges, crops and distorts his images, and puts them together again in compositions that seem abstract at first sight. Each of the different media builds layers of information, but in the end they melt together in the final painting. Even the paintings themselves often consist of several different layers or parts. We might find a larger image that is interrupted by overlapping abstract patterns reminding of dripped water, there can be an image displaced from its frame and standing on an edge, or the white canvas can suddenly leak into the painting´s motif. The various parts also differ in their structure. Soft lines with converging colors and invisible brushstrokes stand in contrast to areas with distinct brushstrokes and thicker color, and to parts with affixed objects as e.g. banknotes. However, all images contain an unmistakable movement. We look at motifs that do not represent static conditions, but a reality constantly changing.

Further characterizing for Jonas Bouleau´s work is his variation of formats and sizes, and his playful use of contrasting sizes relating to each other in the paintings themselves. A painted eye can be radically enlarged (and thus abstracted), while it reflects a house that is radically diminished in relation to its real size – everything becomes a question of perspective.

Consequently, we can expand the question and think about which mechanisms influence us personally in how we look at the world. What happens if someone changes a bit of the image we have in front of us, if someone twists it according to his or her own perspective? Does that change our view on reality? Art does not give us any answer, but it has the ability to make us aware of the existing preconditions we encounter when we experience the world we live in.

In that way, Jonas Bouleau does not only ask questions about our own ability to see, but also about the possibilities and restrictions of painting. He considers painting a mirror that reflects the viewer, the space and an historical context. One could say that he puts visible filters onto reality to make us aware of the existence of filters in general. At the same time, the expression of his paintings represents a reality that makes its way directly into our consciousness. Without any filter.

Jonas Bouleau (*1988) completed his education in fine art at the Royal Academy of Art in Stockholm with a master’s degree in 2015. He has exhibited both in commercial art galleries and in art institutions, and has received several scholarships and grants over the last years. He lives and works in Stockholm, Sweden.

Jonas Bouleau

VERK + ART

In addition to our furniture, you can also experience contemporary art at Verk’s showroom in Södermalm, Stockholm. Our collaboration with art curator Simone Schmid has paved the way for dialogue with both new and established artists. She selects art that raises issues and invites dialogue. In opening our doors to art, we are placing ourselves in a new context. We hope to be able to offer art lovers a new way of seeing furniture, and design enthusiasts an entry point to contemporary art.

The showroom exhibition

Runs from 1 September to 26 November
Showroom open Monday to Friday
10:00-12:00 / 13:00-16:00


Hornsgatan 79
118 21 Stockholm

Simone Schmid
Art curator

Simone Schmid is an established name on the Swedish art scene. She worked as director of Wetterling Gallery for many years before becoming a freelance curator and has extensive knowledge of both Swedish and international contemporary art. She will select art for Verk’s showroom that invites dialogue and raises issues close to the company’s heart. We can look forward to four exhibitions per year with openings, personal viewings, lectures, talks and exciting interactions between design and art in various forms. Welcome to a new way of experiencing and buying art!

What made you choose to work with Verk?

– We share a vision. The keywords are quality, long-term, sustainability. The product is never disconnected from a larger context but is connected through values, environment, economy, aesthetics, culture and other complex concepts. A lot of companies don’t take this into account. 

What makes Verk’s showroom a good place for art?

– Art needs new contexts to continue to be relevant and visible to a larger group of people. It cannot be taken for granted that the state and public institutions will continue to give the support they do today forever. There must be stronger ties between art and the business world. Verk’s showroom is also a great place to display art, with nice walls and large windows. People can be a little afraid of approaching art – they don’t know how to behave – so the interior context takes the drama out of the encounter. Art needs no interpretation hanging in a showroom, but can simply be, and be experienced. 

What kind of artists can we look forward to meeting?

– We’ll be exhibiting high-quality contemporary art with a connection to Sweden. The curiosity, uniqueness and uncompromising attitude of the artists must match Verk’s. They should not follow trends but have their own language. The artist’s hand must be discernible, and the works must enter into a dialogue with Verk’s collection. I focus on craftsmanship, ideas and quality, but all genres are welcome. 

What’s the most fun about this project?

– Hard to say. For my part, the job has just started! But it will be fun to test a new art platform, and to be able to the give artists I believe in a leg up in a new format. 

Does your work on this project differ from how you usually work?

– When you work with art, all projects are different. A big part of the job is to grasp people, to understand their vision and turn it into an exhibition. It’s fantastic that Verk has chosen to integrate art into its brand from the outset. This is common abroad but sadly not so much in Sweden anymore. Having art as a sounding board is a brave and long-term investment. It’s my job to find art that supports it. 

Why do you work with art?

– I work with art because art is a mirror of reality without having to stick to reality. Art can test hypothetical ideas, push boundaries, question truths and then bounce back to reality. It’s like a lovely, big experiment set. Art embraces all aspects of life – the highs and the lows. It’s wonderful and inspiring to work with.

Previous Exhibitions

EKTA
12 May – 13 August 2021

  • KOM HEM, 2020

    EKTA

    Wax crayon, oil pastel on paper

    Height 113,5 cm
    Width 141,5 cm

    Price 42 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • HAMMAREN, 2020

    EKTA

    Wax crayon, oil pastel on paper

    Height 56 cm
    Width 76 cm

    Price 11 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • UNTITLED I, 2020

    EKTA

    Wax crayon, oil pastel on paper

    Height 56 cm
    Width 76 cm

    Price 11 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • UNTITLED II, 2020

    EKTA

    Wax crayon, oil pastel on paper

    Height 56 cm
    Width 76 cm

    Price 11 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • UNTITLED III, 2020

    EKTA

    Wax crayon, oil pastel on paper

    Height 56 cm
    Width 76 cm

    Price 11 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • JAG KAN INTE KÄNNA MITT ANSIKTE, 2020

    EKTA

    Wax crayon, oil pastel on paper

    Height 56 cm
    Width 76 cm

    Price 11 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • CONVERSATION CANCELLED, 2019

    EKTA

    Wax crayon, oil pastel on paper

    Height 22,9 cm
    Width 30,5 cm

    Price 4 700 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • HARD PRIMITIVE, 2019

    EKTA

    Wax crayon, oil pastel on paper

    Height 22,9 cm
    Width 30,5 cm

    Price 4 700 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • KETTLE, 2019

    EKTA

    Wax crayon, oil pastel on paper

    Height 22,9 cm
    Width 30,5 cm

    Price 4 700 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • VERSE 5, 2019

    EKTA

    Wax crayon, oil pastel on paper

    Height 22,9 cm
    Width 30,5 cm

    Price 4 700 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

EKTA

In spring and summer, drawings by Gothenburg-based artist EKTA will fill the walls of VERK´s showroom. The works presented are characterized by playful abstraction, an interest in immediate expression and the love for imperfection. Inspired by everyday life and a unique ability to fuse the drawing´s straightforwardness with hints to the aesthetics of art history, EKTA understands his work as a never-ending process.

EKTA (Daniel Götesson, *1978) has early earned international fame with his large murals in public spaces. However, studio work and smaller formats have gained more and more importance in his work in recent years. Since 2005, he has regularly exhibited in galleries, art institutions and museums in Sweden and abroad. He has also been working with larger private and public commissions.

EKTA naturally moves between different formats, materials and expressions. His work includes both large murals and commissions in the public space, as well as painting, sculpture, performance, music, textile works and clothes. His working process springs from the joy of experimenting and the curiosity of pushing the borders of aesthetics, material and handicraft. He describes himself as too restless to consider proven techniques – instead, the consequently inevitable mistakes become part of the creative process and often signify the elements advancing the work.

In his imagery, the abstract and the figurative converge. Graphical elements, symbols, and patterns, built up with strong colors and distinctive outlines, appear in front of a white background. And certainly, we can identify faces, buildings, a car or a cap… What occurs as playfully primitive on the surface, concurrently includes distinct references to modernistic art as e.g. cubistic fragmentation, but also to cartoons. The visibility of the process, such as erasing and retakes, underlines the dynamic in the works. This kind of storytelling fills the works with life, and allows an immediate communication with the viewer.

With a twinkle in the eye, EKTA´s work often includes humoristic elements, and his titles can reinforce or contrast our associations. Ignoring traditional boundaries, he moves the ordinary, and even damaged, into spaces of high culture – and the classical art out into the urban space.

Reflecting on EKTA´s works, a paradox appears: they carry a volatility that evolves from his way of working, as well as from the fact that he as an artist values the process higher than the object. In this way, his drawings represent a contrast to VERK´s focus on furniture as long-lasting objects. At the same time, his unique drawings constitute irreplaceable objects of art as soon as they have left the hand of the artist. He himself needs to go on, his artistry consists of creating. The objects – artworks – however, are lasting objects for us who are intrigued by the never ending creativity of art.

EKTA - Portrait

Johannes Hägglund
4 February – 30 April 2021

  • Untitled, 2017

    Johannes Hägglund

    Oil and pencil on canvas

    Height 195 cm
    Width 245 cm

    Price 45 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Untitled, 2017

    Johannes Hägglund

    Acrylic and oil on canvas

    Height 210 cm
    Width 210 cm

    Price 40 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

  • Untitled, 2017

    Johannes Hägglund

    Acrylic, oil and pencil on canvas

    Height 210 cm
    Width 280 cm

    Price 50 000 SEK

    Requests

    If you want to buy or have questions, please contact Simone Schmid

Johannes Hägglund

The first exhibition at VERK´s showroom presents large, energetic paintings by Johannes Hägglund that oscillate between figuration and abstraction. The beautiful patterns, in their distinct green colour palette, are reminiscent of the oversized leaves of exotic plants, which also are the source of inspiration for this series. With a love of materiality, energy and movement, these artworks examine the possibilities offered by painting.

Johannes Hägglund (b. 1993) is part of a young generation of Swedish artists who investigate the classic medium of painting. He earned his master´s degree from the Royal Institute of Art in Stockholm in 2020. Even before graduating, he enjoyed well-received exhibitions in Sweden and abroad, and has been awarded several grants. In 2021, his work will be exhibited at Falsterbo Konsthall, among other venues. Johannes Hägglund lives and works in Stockholm.

The exhibited paintings represent Hägglund´s entry into the Swedish art scene a couple of years ago. With their size and their strong colors, they demonstrate a self-confident attitude. Moving between the figurative and the abstract, they stand their ground and draw us into the inner space of painting.

It is the energy of the composition and the brush strokes, mirroring the artist´s movements in front of the canvas, that constitutes the soul of the artworks. Hägglund is more interested in painting itself, and especially the act of painting, than in what is depicted. Most often, he works in series choosing a visual world that serves both as a starting point and a limiting frame for the artistic process.

In contrast to digital techniques, Hägglund´s body of work indicates a genuine interest in the artist´s hand and in craft. Consequently, he works with all parts of the process himself, starting from manufacturing frames, stretching and preparing the canvas, painting, and finally resulting in the completed artwork. All parts are important for the creation process, but it is in the moment of painting the artwork is “born”.

As viewers, we can easily decipher art historical references in Hägglund´s visual language, as well as a wink to contemporary aesthetic expressions. However, the paintings are unburdened from specific contexts and storytelling. We get the opportunity to load them with our own associations, or alternatively experience them as a symphony of color and form. Details can both be interpreted in a figurative way, or instead as a reminder of the process of painting. In this way, the artist skillfully interweaves different layers of the painting´s narratives. 

We have consciously chosen an artist who mirrors VERK´s values and the first steps in connection with the launching of our brand. Both the furniture collection and the art are characterized by a passion for material and handcraft, as well as the courage to take on challenges and demonstrate strong presence. Here, the artwork´s abstract vegetation represents a new start and breeding ground, thinking big from the very beginning.

Johannes Hägglund is born 1993 and lives and works in Stockholm, Sweden. He studied at Gerlesborgsskolan (Stockholm) and continued his education at the Royal Institute of Art in Stockholm, from which he obtained his master´s degree in 2020. His work has been shown at i.a. Jakobsbergs Konsthall (Jakobsberg, Sweden), Galerie Forsblom (Stockholm, Sweden and Helsinki, Finland), Liljevalchs Spring Exhibition (Stockholm, Sweden), and the Royal Art Academy (Stockholm, Sweden). He is represented in public collections, among them Dalarna läns landsting (Sweden) and EMMA (Espoo Museum of Modern Art, Finland), as well as in private collections.